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Vals criollo
The Vals Criollo ((英語:Creole Waltz)), or Peruvian Waltz ((スペイン語:Vals peruano)), is an adaptation of the European Waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the Waltz was slowly changed to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's culture as it gained widespread popularity in the country.
==History==
"La Guardia Vieja," translated as "the old guard," was a time period in Peru approximately from 1900-1920 in which as a result of the combination of European, Afro-Peruvian, and indigenous musical elements the ''vals criollo'' emerged among the public. The music is characterized by the use of triple metre, sometimes compound duple time, and the lyrics consist of verses in strophic form with intercalated choruses.〔Lloréns, Jose. "Introduccion al Estudio de la Musica Popular Criolla en Lima, Peru." Latin American Music Review 8.2 (1987): n. pag. Web. 10 May 2010. 〕 Throughout the 1920s and 1930s, the ''vals criollo'' became the main musical expression of the urban working class, with its lyrics reflecting their cultural personality, conflicts, and value systems. Composers such as Felipe Pinglo Alva, Laureano Martinez, Carlos Saco, Filomeno Ormeño Belmonte, and Alicia Maguiña enriched and drove the music at the time.〔Behague, Gerard. "A Note on Popular Music." A Cultural History of Latin America. Ed. Leslie Bethell. New York: Cambridge University Press, 1998. Print.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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